Pta. Maneesha Sathe’s Views on Kathak

Pta. Maneesha Sathe’s Views on Kathak

Whether on stage or off it, I am constantly aware that what I am today is due to the love and appreciation of my audiences. – Guru Maneesha Sathe. This is the awareness that drives each and every one of her performances. Knowing that most of the masses shy away

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Abhinay Aspect

[et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”4.21.0″ module_alignment=”center” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.21.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”] कथा कहे सो कथक कहलावे (Katha kahe so Kathak Kahalave) – one who narrates a story is known as Kathak. The very origin of Kathak comes

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Taal Aspect

Taal Aspect

Kathak is the only Indian classical dance form in which, with the background accompaniment of Hindustani music, a Taal (rhythmic cycle of beats) is performed on stage and showcased through compositions of Thaat, Aamad, Tode, Paran and Tatkaar. This, along many other Tabla and Pakhawaj based compositions, forms the technical

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Choreographic Artistry

Choreographic Artistry

Being a dance style primarily focusing on solo performance, Kathak has evolved with the changing times. Choreography has become an important aspect of Kathak since the past few years. Pta. Maneesha Sathe has explored various aspects of choreography in Kathak, keeping in mind the views of the ever-evolving audiences. Right

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The Maestro

The Maestro

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Maneesha Nrityalay

Maneesha Nrityalay

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